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All residents of the 50 U.S. states, the District of Columbia, and Canada (except Quebec) are eligible to enter. Entrants must be at least 13 years old as of the date of the entry’s submission. Youth entrants must have the permission of a parent or legal guardian to be eligible, and to grant it the parent or guardian must complete the first page of the entry platform on their behalf.

���Ϲ��� does not have the capacity to comply with the contest laws outside of the stipulated eligible locations—for example, those in Quebec.

Employees of the ���Ϲ���, its officers, directors of its national, state, and center boards, judges, and their immediate families, or those living in the same household, are not eligible to participate. Volunteer ���Ϲ��� chapter leaders are eligible.

In the Professional and Amateur divisions, and in the Plants for Birds and Video divisions for entrants age 18 and older, the online entry fee is $15 per photo or video. There is no fee to enter the Youth division, or the Plants for Bird and Video divisions for entrants age 13 to 17. If you choose to mail prints of photographs or a USB key with video files, there is no entry fee for any of the divisions. The free-entry option is available for the duration of the contest.

The discount code can be used by student members of established ���Ϲ��� on Campus chapters and by ���Ϲ��� on Campus program ambassadors. The discount code will be shared in the ���Ϲ��� on Campus newsletter. Learn more about ���Ϲ���'s ���Ϲ��� on Campus program here.

For online entries, each image MUST:

(1) depict “birdlife” and therefore must contain at least one bird;

(2) be no larger than 35 megabytes; ideally the images should be at least 3000 pixels wide (if a horizontal image) or at least 3000 pixels tall (if a vertical image);

(3) be saved in RGB mode (not CMYK!); and 

(4) be saved in the JPG or JPEG format.

For mailed entries, each print MUST:

(1) depict “birdlife” and therefore must contain at least one bird;

(2) be at least 5 by 7 inches and no larger than 8 by 10 inches; do not submit framed prints.

Regardless of how you submit your photos, do not include watermarks or stamps because it’s important that the judges see the photos without knowing who took them. Entrants must not infringe on the rights of any other photographer or person, or submit images that involve the willful harassment of wildlife or damage to the environment by the photographer. Photos that do not conform to these basic requirements will not be eligible for the ���Ϲ��� Photography Awards. See also “PHOTO/VIDEO ELIGIBILITY” section below.

All entries, whether online or mailed, MUST:

(1) depict birdlife (i.e., must contain at least one bird or bird part); 

(2) be no larger than 50 megabytes; 

(3) be 1920 by 1080 or 1280 by 720 pixels; 

(4) be an .MP4 file (preferred) or .MOV file; 

(5) have a frame rate of 24 fps or higher; 

(6) be 3 to 30 seconds in length. 

Regardless of how you submit your videos, do not include watermarks or stamps because it’s important that the judges see the videos without knowing who took them. Entrants must not infringe on the rights of any other videographer or person, or submit videos that involve the willful harassment of wildlife or damage to the environment by the videographer. Videos that do not conform to these basic requirements will not be eligible for the ���Ϲ��� Photography Awards.  See also “PHOTO/VIDEO ELIGIBILITY” section below.

No, there is no limit on the number of photos or videos you may enter.

For online entries: During the photo/video-upload process, you will be asked to fill in some information boxes. If you do so accurately, your digital images/videos will be correctly named automatically.

For mailed photo entries see the form . 

For mailed video entries see the form .

Please review the . If these tips don’t resolve your  problem, please contact our Contest Help Desk . If you don’t receive a response within two business days (you should!)  please email us at contestquestions@audubon.org.

For online entries: You will receive a confirmation email and also be routed to a page indicating that a PDF document confirming your submission has been automatically downloaded to your computer. (Note that some domains block the confirmation email and pop-up blockers on your browser may prevent the automatic PDF download.) These confirmations will list each of the photos/videos you entered and the amount your credit card was billed. Because entrants age 13 to 17 may enter the contest for free, youth confirmations (for the Youth, Plants for Birds, and Video divisions) will not include billing information.

For mailed entries: If you include your email address on the entry form, we will email you to confirm we received your entry. If you do not provide an email address, we cannot send confirmation (but please include a phone number in case we need to contact you for another reason). 

Proof of receipt is not proof of eligibility or an indication of any photo’s chance of winning. If you have questions or concerns, contact our Contest Help Desk .

You may submit entries by only ONE total means of entry: online OR by mail. If you submit photos/videos by two different means of entry, only the means of entry through which your photos/videos are first received will be valid.

For online entries: Yes. If you want to make additional submissions to the contest, you can simply return to the website and go through the entry process again. You will be billed separately. You have this option until February 28, 2024. The deadline for entries on February 28 is 12 p.m. (noon) EST; 11 a.m. CST; 10 a.m. MST; and 9 a.m. PST.

For mailed entries: Yes, you may mail submissions more than one time as long as each mailed submission is postmarked by February 28, 2024, and received by ���Ϲ��� no later than March 6, 2024, and includes the mail-in entry form and the requested information for each entry. Failure to follow these requirements may result in disqualification.

No, you will be unable to review your photos/videos after they have been submitted.

No.

No, once you have officially entered your information and we have accepted your payment, we cannot offer you a refund.

There are five divisions. The Professional division is for individuals 18 years of age and older who have earned $5,000 or more on their photography (any photography, not just bird photography) in the past year. The Amateur division is for individuals 18 years of age and older who have earned between zero and $4,999 on their photography (any photography, not just bird photography) in the past year. The Youth division is for individuals who are 13 to 17 years old. The Plants for Birds division is open to any entrant 13 years of age or older whose images include bird life and identifiable plants (flowers, trees, bushes, grasses), all of which are native to the area in the United States or Canada in which the image was taken. The Video division is open to any entrant 13 years of age or older. All ages are to be determined as of the date of an entry’s submission. Youth entrants to any division must have the permission of their parent or legal guardian to enter the contest.  (See the Official Rules for more details.)

You may submit entries to one of the first three divisions (Professional, Amateur, or Youth) as well as the Video and Plants for Birds divisions. The same photograph cannot be entered in more than one division.

���Ϲ���’s Plants for Birds program promotes the use of native plants, which are better for our native birds and provide many essential resources beyond perching or roosting sites. In the ���Ϲ��� Photo Awards Plants for Birds category, we are especially looking for photos that tell a story of birds interacting with native plants—even in unusual ways, as shown by past winners in this category. The Plants for Birds program provides resources for identifying and finding plants native to zip codes in the United States, and because Canada and the United States share many of the same species of native plants and birds, ���Ϲ��� has the in-house expertise to verify those in photographs taken in both countries. Unfortunately we don’t have the bandwidth to expand this important vetting step in the judging process to more countries at this time.

The Female Bird Prize is a special commendation awarded to an image depicting a female bird. More elusive and typically less flashy than their male counterparts, female birds are an often overlooked and underappreciated subject of birding and bird photography—and even bird science. We want to help correct that bias by giving them some special attention! As with the Grand Prize and Fisher Prize, the Female Bird Prize can be awarded to an image submitted to any of the four photography divisions. If you’d like your entry to be considered for this prize, please check the Female Bird Prize box on the entry platform when uploading your photo.

The Birds in Landscapes Prize highlights the relationship between birds and the places they live. The setting can be wild, urban, or suburban. The relationship can be symbiotic or it can reflect a specific challenge birds face. We encourage photographers to take a step back and look at the whole environment, then let the photograph tell the story of how birds connect with their larger surroundings. Birds do not need to be close up for the photograph to be successful. Like the Grand Prize, the Birds in Landscapes Prize can be awarded to an image submitted to any of the four photography divisions. If you’d like your entry to be considered for this prize, please check the Birds in Landscapes Prize box on the entry platform when uploading your photo.

The Fisher Prize honors the legacy of ���Ϲ���’s longtime creative director Kevin Fisher. It recognizes the most creative approach in photographing birds—for example, highlighting an unexpected point of view—blended with technical expertise and an original composition. The Fisher prize pushes the traditional canons of bird photography to daring new heights, while never compromising strict ethical guidelines. Like the Grand Prize, it can be awarded to an image submitted to any of the four photography divisions.

• The photo should be either tack sharp or intentionally out of focus (slow the shutter speed to show motion, etc).

• Proper exposure and good lighting are critical. It doesn’t matter how wonderful the behavior or activity in the photo—if the lighting is poor, we will eliminate the picture.

• Take time to compose the image. The bird (or birds) doesn’t have to be in the center of the frame. The off-center subject creates more dramatic tension. Also be aware of other elements in the photo, especially the background.

• Send us something we haven’t seen before. Look for the unusual, the whimsical, the dramatic. Surprise us! We have seen thousands and thousands of bird photos, so show us something new.

• Bird behaviors (such as foraging, mating calls, preening, and bathing) makes for more compelling footage. Wait and watch for these to unfold.

• Hold the camera still and let the scene unfold. Think of video as a moving portrait; don’t try to pan around.

• Take time to compose the scene. Be aware of other elements in the video, especially the background.

• Proper exposure and good lighting are critical. Aim for light that really makes a bird’s colors pop.

• Send us something we haven’t seen before. Look for the unusual, the whimsical, the dramatic. Surprise us!

The Photography division will be judged by: Sabine Meyer, photography director of ���Ϲ���; Lucas, Bustamante, environmental photojournalist and biologist; Preeti Desai, ���Ϲ���’s senior director of social media & storytelling; Daniel Dietrich, wildlife photographer, filmmaker, and cinematographer ; Morgan Heim, conservation photographer, filmmaker, and adventurer; Noppadol Paothong, nature/conservation photographer; and John Rowden, conservation consultant and native plants expert.

The Video division will be judged by Mike Fernandez, ���Ϲ���’s video producer; Rina Miele, wildlife photographer and videographer; and Mick Thompson, wildlife photographer and videographer.

The Female Bird Prize will be judged by wildlife photographer Alyssa Bueno, Feminist Bird Club; and the founders of the Galbatross Project: Brooke Bateman, ���Ϲ���’s director of climate science; Stephanie Beilke, senior manager, conservation science for ���Ϲ��� Great Lakes; Martha Harbison, senior network content editor for ���Ϲ���; and ornithologist and ecologist Joanna Wu, PhD student at UCLA.

Entries will be judged on the basis of technical quality, originality, and artistic merit. For more information on how each prize is awarded see the Official Rules. The judges will not know the name or professional affiliation of entrants until the judging is completed.

Due to the volume of entries, we're unable to provide feedback on individual submissions.

There will be a total of nine (9) winners: one (1) Grand Prize winner, one (1) winner in the Professional division, one (1) winner in the Amateur division, one (1) winner in the Youth division, one (1) winner in the Plants for Birds division, one (1) winner in the Video division, one (1) Female Bird Prize winner, one (1) Birds in Landscapes Prize winner and one (1) Fisher Prize winner.

The awards winners will be determined and notified on or about April 4, 2024. Winners will be publicly announced in the Summer 2024 issue of ���Ϲ��� magazine and simultaneously on ���Ϲ���'s website (audubon.org).

Photos may not be digitally altered beyond standard optimization. Normal processing of original file is acceptable, including:

• cropping

• minor adjustments to color, white balance, tone, lighting levels and curves, shadows and highlights, saturation, contrast, sharpness

• moderate dodging and burning

• removal of dust spots and reduction of image noise

Photographs that have been digitally or otherwise altered beyond standard optimization will be disqualified. That includes:

• HDR frame stacking

• stitched panoramas

• images that have been manipulated by the addition, removal, or alteration (painting over, cloning, or blurring) of anything in the original subject and scene that were photographed

• borders, signatures or watermarks

• changes in color so significant that the processed colors are widely different from the original colors

• changes in density, contrast, color and/or saturation levels and dodging and burning that significantly alter content by obscuring or eliminating information in the picture

Please be prepared to submit your RAW file if requested by the judges. If you don't shoot in RAW, the high-resolution original will suffice (usually a JPG)

To be eligible to win a prize, all submitted videos must depict birdlife (i.e., contain at least one bird or bird part), and accurately reflect the subject matter as it appeared in the viewfinder (a “Video”). 

Normal processing of the original file is acceptable. That includes:

• Slow motion and time-lapse are allowed if recorded that way and not in post-production

• Minimal cropping (cropping works best if shooting in 4k)

• Minor adjustments to color, white balance, exposure, saturation, contrast, sharpness

• Removing sound (audio is optional)

Videos that have been digitally or otherwise altered beyond standard optimization will be disqualified. That includes:

• Editing clips together

• Watermarks

• Vignetting 

• Adding audio from another clip

Yes, they are.

Photos/videos taken at any time are eligible for the Photography Awards. There are no geographic restrictions beyond a prohibition on game farms, where photographers/videographers can photograph/film captive animals in what appear to be wild and natural settings. ���Ϲ��� does not publish photographs/videos taken at game farms. Photos/videos taken at zoos, animal-rehabilitation centers, or nature centers are fine as long as you disclose that information in the submission process in the box called Location of Shot. You can read more about the ethics of photographing/filming at zoos and other facilities and truth in captioning here.

Yes.

Yes, as long as it was not published in ���Ϲ��� magazine or on any portion of ���Ϲ���’s website. Any photo previously published in ���Ϲ��� or on the ���Ϲ��� website (except photos published by you on ���Ϲ���’s social media platforms) is not eligible for the Awards.

No, to maintain anonymity once an image is disqualified you are not able to re-enter it, even if you change the modification that it was disqualified for.

The underlying principle for responsible bird photography/videography is a sincere respect for the birds and their habitats. When in doubt, the well-being of the birds and their habitats must come before the ambitions of the photographer/videographer. Read our guidelines for responsible bird photography here.

The Official Rules explicitly prohibit photographs or videos depicting the following situations. If submitted, such entries will be disqualified. The judges’ decision to disqualify an entry is final. 

·       birds (including chicks) that appear to be stressed or harassed 

·       birds at nests taken with wide-angle or macro lens

·       birds (including but not limited to hawks, owls, eagles, ospreys, roadrunners) lured with bait. “Bait” includes live animals (such as snakes, fish, mice, crickets, worms), dead animals or parts of animals, processed meat, and decoys such as fake mice.

·       nocturnal birds (e.g., owls, nightjars) taken with a flash at night

·       birds photographed or filmed by drones

·       birds photographed or filmed with a remotely triggered camera that uses a direct flash or for which bait or another lure has been supplied to attract the animal. Setting a camera trap around a fresh kill or cache is generally acceptable, as is the use of a flash with a filter that only lets through infrared light

·        birds photographed or filmed using playback of bird call recordings

·        images that are made using AI image generators

Photos/videos taken while chumming, which has been a standard practice on every pelagic birding trip at least since the 1940s, are eligible. It's extremely common for seabirds to follow fishing boats at sea, mainly for the potential food items being tossed overboard. There are thousands of fishing boats around the world being followed by birds daily, and the handful of birding boats doing active chumming are unlikely to change the overall behavior of the seabirds.

Although the majority of photographers are sensitive to the welfare of the bird and use bird calls in a moderate way, we made a decision this year to exclude photos from the contest that depict a bird called in by recordings. Overuse of call playback to get that “perfect shot” can deplete precious stores of energy in birds and attract predators. During breeding season, birds responding to calls of predators (e.g., screech owl calls) or competitors (same-species calls) are drawn away from their nests, leaving their eggs or chicks vulnerable to predation. There are also areas such as national wildlife refuges and national parks where using recordings is illegal. Because we are not able to check all these variables, we ask that no photos of birds attracted by recordings be submitted.

It's fine to be ambiguous about the exact location for the safety of the birds and the landowner.

You own the rights to your photos/videos. By entering the ���Ϲ��� Photography Awards, you grant ���Ϲ��� a non-exclusive license to your photos/videos for uses related to the ���Ϲ��� Photography Awards only. (For the text of the full license, see the Official Rules.) But even if you choose to allow ���Ϲ��� to use your photos/videos in support of its mission, you will remain the owner of your photos/videos (see the following question).

First, it’s important to emphasize that opting in to this request is not a requirement for entry and will have no impact on the judging, which is done anonymously. By checking the opt-in box on the personal information page and agreeing to the request, you will grant ���Ϲ��� broader, additional rights beyond those stipulated in the Official Rules. (Under the Official Rules, when you enter the Photography Awards, you grant ���Ϲ��� the right to use your images/videos in ways related to the Photography Awards.) By clicking the opt-in box, you grant ���Ϲ��� the right to use, and to allow others to use, your images or video in support of the organization's mission—for example, in postal or email campaigns for fundraising or for raising awareness, including via social media. Your permission will help ���Ϲ��� redirect valuable dollars that would otherwise be spent on acquiring photographic/videographic rights into other activities that support its mission. Regardless of your choice, you will remain the owner of your images/videos and they will be credited appropriately.

For questions, contact our Contest Help Desk .

Please email contestquestions@audubon.org