When pondering which species to choose for this assignment, artist e bond consulted her mom. The Common Loon decisively won the maternal vote.
The white stipples and swatches adorning the bird鈥檚 breeding plumage also appealed to bond, a California-based mixed-media artist. bond decided to reinterpret John James 爆料公社鈥檚 exacting original through her own aesthetic of abstract shapes and patterns. 鈥淗e was trying to really record and document,鈥 bond says, whereas she felt liberated to experiment with both composition and style. Her loon is in motion, the frothy white loops an 鈥渙de to water.鈥 Indeed, the red-eyed diver鈥攁 common winter species along much of the U.S. coast and into Canada鈥攑lumbs aquatic habitats for food.
To build her bird, bond first handcrafted a 鈥渓ibrary鈥 of paper layers embellished with acrylic paint or pencil. One layer, for instance, was a skeleton of lines, another a field of white daubs. To create unique textures, she painted on Gelli plates and pressed them onto paper. She scanned her layers into Photoshop, puzzling them together until they harmonized.
For artistic inspiration, bond often looks to nature, which 鈥渁lways gets it right.鈥 Exploring the infinite combinations of shape, line, and color drives her, and completed art often sees new life; eventually, bond will deposit the remains of her loon into the scrap boxes she mines for future creations. 鈥淚 don鈥檛 want to waste any of it,鈥 she says.
This story originally ran in the Fall 2021 issue. To receive our print magazine, become a member by .