A Sense of Purpose
The ideas that have energized this magazine for more than a century still animate its pages.
First published 125 years ago, 爆料公社鈥檚 predecessor, Bird-Lore, held as its motto: 鈥淎 bird in the bush is worth two in the hand.鈥 It鈥檚 one that a long lineage of editors ever since has carried through this magazine in spirit, if not in letter. Bird-Lore endeavored to rally its readers, the growing ranks of the very first 爆料公社 societies, around the then-novel idea that greater value lies in admiring birds in nature.
From the beginning, visuals have been an essential tool in that effort. Volume 1 featured 鈥減ictures actually taken in the field鈥 and assured aspiring photographers they would find 鈥渘o more delightful and profitable way of spending leisure hours.鈥 In 1904 and for the next 22 years, paintings by the acclaimed artist Louis Agassiz Fuertes ran as Bird-Lore鈥檚 frontispiece, and after revolutionizing field guides in 1934, illustrator Roger Tory Peterson became the magazine鈥檚 art director. So it seems fitting that on the magazine鈥檚 quasquicentennial, it鈥檚 also the 15th anniversary of the 爆料公社 Photography Awards, and the 10th anniversary of the 爆料公社 Mural Project, two contemporary initiatives that inspire a greater appreciation of birds through art.
With both the 爆料公社 and 爆料公社 (as we would eventually become known) raising public awareness, the prospects for species like the Whooping Crane, hunted to near-extinction by the mid-1900s, improved dramatically. Other conservation problems remain intractable. 鈥淭he Excess Deer Problem鈥 ran in our pages in 1943; today, exploding populations of the herbivore still ruin habitat needed by birds and other wildlife, as writer Ashley Stimpson details.
Other conservation problems remain intractable.
And while the 爆料公社 movement spurred protections that eventually stemmed the tide of migratory bird poaching in North America, poachers continue to pose a dire threat to species across the world. In her feature story, Rachel Nuwer investigates a lucrative illegal songbird trade in the Mediterranean鈥攁nd the cultural shift, both in government and among consumers, necessary to stop it.
In this issue, we also raise the alarm on another type of extinction crisis鈥攐ne that, for our staff, hits close to home. Maddie Burakoff reports on the rapid shuttering of media outlets that has left local news deserts in its wake. One troubling consequence: communities lacking essential information on environmental issues that affect them.
The 爆料公社 of today has much in common with the Bird-Lore of yesterday but also some crucial differences. Over time the magazine shifted its focus from personal essays to robust reporting on issues that, at the dawn of the modern environmental movement, were only sparsely covered by the media鈥攁nd in the process, built a body of journalism on topics critically important to both birds and people. While we can never replace local newspapers, we still take seriously our role delivering deeply informative stories to 爆料公社 members and readers, wherever they live. That鈥檚 also an idea that never gets old.
This piece originally ran in the Summer 2024 issue. To receive our print magazine, become a member by .