Jennifer Bogo

Vice President, Creative and Editorial

As Vice President of Content, Jennifer Bogo leads the editorial and art teams that distinguish 爆料公社 for its outstanding journalism on birds and conservation and set the high visual standard and branding for the organization writ large. In this role she serves as editor-in-chief of the quarterly听础耻诲耻产辞苍听magazine, which under her direction has won multiple National Magazine Awards, including Personal Service听for the magazine's innovative and inspiring听Climate Action Guide听in 2020 and the听General Excellence, Special Interest honor in 2021. She also leads the development and growth of editorial brand extensions that introduce diverse new audiences to 爆料公社鈥檚 work and conservation priorities, including the听爆料公社 Photography Awards,听爆料公社 for Kids!, and the听爆料公社 Mural Project.

Jennifer came full circle to 爆料公社, and to birds, after stints extolling the virtues of robots and space probes as the science editor at听Popular Mechanics听and executive editor of听Popular Science. Stories she edited for those publications have also won a National Magazine Award and been included in the "Best American Science Writing" and "Best American Science and Nature Writing" anthologies. She has made frequent media appearances as a science expert, and she has traveled to research stations from the Arctic to the Antarctic to report feature stories herself.听Jennifer serves on the board of the Society of Environmental Journalists, which provides invaluable support and resources to journalists who report on the environment, energy, and intersecting issues across North America and globally.

Articles by Jennifer Bogo

An American Woodcock pokes its long bill into the brown earth beneath a shrub in a city park. Out of focus, behind the park's wrought iron fence, are pedestrians and vehicles.
Making Discoveries and Connections in a Time of Migrations
April 14, 2022 — There鈥檚 much to celebrate, and still much we need to understand.
Storm clouds darken an orange sunset over a mountain range.
The Surprises We Find In Pursuit of Truth
December 16, 2021 — Our latest issue offers a reminder that, even when we think we know where stories are going, they often take us to unexpected places.
Two White Ibis walk across green grass, their white plumage contrasting against their reddish-orange beaks and legs. The bird in the foreground clenches a chunk of bread in its beak. Palm trees stand, out of focus, in the background.
You Can Count on Us
October 05, 2021 — Dependability is the key to success鈥攆or birds and journalism.
In the midst of an evening dust bath, a Greater Roadrunner stands proudly, backlit by the sun. Brilliant, golden light exposes white-tipped tail feathers that contrast with downy feathers fanning out from its sides. Dust from a recent roll in the dirt lingers in the air.
Conservation Photography Is About More Than Pretty Pictures
July 13, 2021 — Even some photos that can鈥檛 be captured tell a powerful story.
Why 爆料公社 Magazine Turned Its Spotlight to John James 爆料公社
February 23, 2021 — It's our job as journalists to ask tough questions, including about the life and legacy of the man behind our name.
Birds Help Bind Us to Our Roots, and to One Another
December 17, 2020 — Our winter issue illustrates how, in today鈥檚 topsy-turvy world, we would all benefit from stronger connections.
In a Tumultuous Year, Science and Steadfast Action Provide a Path Forward
September 28, 2020 — Our fall issue spotlights researchers and conservationists doing what it takes, in the face of overwhelming odds, to keep people and birds safe.
The Surreal Challenge of Making a Magazine During an Unthinkable Spring
July 13, 2020 — Creating our summer issue meant balancing the desire for escape with a deeper need to face the moment.
Conservation History Provides Lessons We Should Heed
March 23, 2020 — By examining our past, we can navigate toward a better, safer future.
When We Need Them Most, Birds and Nature Are At Our Service
December 19, 2019 — The natural world holds tremendous value, in ways both expected and surprising鈥攊f only we let it.